These are the last poems ever written at Batoche; technically, Batoche no
longer exists. In the summer of 1983, the federal government
announced it was spending six million dollars to develop the Batoche
museum. Then, on Remembrance Day 1983, Canada Post closed the
Batoche Post Office at Chenier's Store. Permanently. There was no
public protest.
There
were 700 people on the lists of the post office at Batoche in 1885;
700 people now almost forgotten. These poems are made up of their
rumours, innuendo, gossip, news and dreams; a sort of Spoon River
Anthology with politics. The histories are deliberately incomplete.
Louis
Schmidt's explanation of why Batoche is called Batoche is a found
poem. There are others: Riel's "Address to the Jury," the
child's "mr dumas says riels better because," Maxine
Lepine's account of Fish Creek, and Middleton's summation. Other
poems use the phrases and prejudices of the time and the speech
rhythmns of the people: not-quite-found-poems. I like to call them
"Speculative Realism."
This
collection is for the people of Batoche who had no voice, people who
just put their heads down and lived on, under the 'benevolence' of a government
they could never quite trust: people like Madame Riel, who faced her
husband's death, and her own, with quiet dignity. She was left with
a three-year-old son and a one-year-old daughter. She was expecting
a third, which she miscarried because she was starving and in the
last stages of tuberculosis.
This
collection is also for the people I have known at Batoche: for
Charlie Cox and his wife Darlene, president of the local Métis
Association when I knew her, for Jimmy Fiddler and his race horses, for
Clarence Grenier who told me about his great-grandmother watching
Middleton's troops march through her kitchen, for Octave Fiddler,
who can fix anything, for Grace Buniak. It is also for my late
husband, Roy Morrissey. Other poets who have struggled with
historical reconstruction know it is not enough to know the facts,
you must go away and dream. Roy allowed me eight years to dream and
to work alongside him on our farm near Batoche; eight years to think and
rethink the Resistance of 1885.
"Using
her skills as a researcher, dramatist and poet, Kim Morrissey brings
to life the once silent pages of our history with a clear and
simple eloquence." - Lorna Crozier
"At
first, the new Prairie poets were mostly male, but in time a number
of important women poets have appeared, including Anne Campbell,
Lorna Crozier, Leona Gom, Kim Morrissey and Anne Szumigalski."
- Doulgas Barbour
Poetry in English
The 1998 Canadian Encyclopaedia
(published by McClelland and Stewart)
Third prize, 1987 CBC Literary Award
Joint winner, 1987 SWG Major Poetry Award
shortlisted for the 1989 Gerald Lampert Award
(League of Canadian Poets)
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The
writer can be contacted by e-mail at
mailto:coteau@coteau.unibase.com
Study
Package for Batoche (Secondary School Level)
home
| history
| the composer
| the production
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Comparative
Themes
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